Friday, September 12, 2014

STALKING DEAD PEOPLE


GENEALOGY - PART X
Finding Deceased Relatives is Not Easy . . . 

. . . BUT don't let that deter you. 

Are you perplexed in your search for the final resting place of a dearly departed relative? It's as though they vanished into mist. Not even a shadow remains. You have the last known residence, the name of next of kin, and yet there's no record of burial.

Fifty or a hundred years after the fact makes the search even more difficult.  As time passes, history evolves. People move. Memories fade. All that lingers are a few mementos, a whispered story or two, and the nagging question . . . where is he, she or they buried?

Sometimes, it's important to reconstruct the history (both world and personal) at the time of death. If there was a pivotal event, such as a war or medical epidemic: the person may be buried near the field of battle, in an unmarked grave, or in a foreign land. Sometimes, checking military records or reading local papers from that time period will help you find them and bring you closer to the answers you seek.

Immigrants from the turn of the twentieth century who were destitute may have found themselves at the time of their demise dependent upon the state for burial. Most cities had designated space for pauper's graves. These were unmarked communal graves where bodies (from babies to the elderly) were transferred from the coroner's office to the cemetery once a month and buried unceremoniously; sometimes a priest, pastor or rabbi was present. There were no records kept to my knowledge. In smaller towns with churches that maintain a graveyard, the pastor may have made accommodations for an individual who was destitute.  Even though there may be no stone to identify the grave, church records should offer more details.

Some immigrants as they aged, chose to spend eternity buried next to kin on the old sod. Check church and state records in European and Scandinavian countries of origin. They may be able to provide an avalanche of information. Ancestry.com has an extensive library of documents for foriegn records. Find-A-Grave.com (North America) is another excellent site for information.

One thing that's a challenge is this: burial grounds are confined and scarce in some foreign communities, therefore, they are reusing burial plots (after a respectable period of time) and adding new tenants. If you've seen a cemetery with weathered headstones piled against a wall or fence, this may be the reason why.

There are many unknown graves dotting the pioneer trails from the east to the west as settlers made their way across our beautiful country. If you have any idea where your loved one may have been headed, the local historical society may be able to help you find more information. If your relative owned a tract of land, it's possible there's a family plot nearby. If the burial took place on private property, the local library, newspaper office, historical society, county records building may offer you some clues or names of townspeople whose descendants live in the area.

Looking for a missing grave is truly a mystery worth pursuing. We all deserve our place in the family tree. Our life, our talents, even our foibles add richness and color. After all, every family has its story. 


Jo Ann V. Glim is a seasoned veteran of freelance writing and author of the book "Begotten With Love."  To learn more:

FOLLOW/Like: on Facebook or
AVAILABLE ON: Amazon.com/author/joannglim
BOOK TRAILER on YouTube

Thursday, September 4, 2014

FORMATTING A BOOK

The best piece of advice? Hire a professional. With that being said, let's take a look at the process. Whether you hire someone, or do it yourself (which is fun), formatting demands attention to detail. These decisions affect profit.


If you're printing a book for distribution to family and friends, then it probably doesn't matter how many pages, size of type, number of pictures, or anything else because this body of work is a gift and labor of love. However, if you are looking to publish for the mass audience, then your choices will mean everything to the bottom line.

If you are a newbie, or indie author expecting to play in the over-crowded sandbox of seasoned writers, be prepared to offer your best work for publication. That means, answering a number of questions before the book is formatted, such as: manuscript length, pricing, paper choice, cover choice (hardback? paperback?), type of paper, size of book (5x7? 6x9? other?), type of spine, and who will be responsible for printing? There are many printers in every community and most will do an excellent job but there are only a handful recognized by the book industry and if you need assistance with distribution, you'll need to take that fact into consideration. Do your homework. Find out what type of services they offer and what they charge for the printing. Hypothetically ( based on per book expenses), if the printer charges $5 for printing, a book seller is expecting 55% from the retail price to offer your book in their store, and you have another $4 for "media" mail and tracking, plus a 2% publisher fee . . . you better price your book for a profit or find a part time job to pay for your passion.

The other component is, style. If what you've spent sleepless nights composing does not attract an audience when it's on the bookshelf, then it's time to evaluate why.  I believe one way to minimize heartache is by walking the aisles of your local bookstore. Find your genre and begin pulling books that catch your attention. What drew you to that one? Type style? Artwork? Colors? You'll begin to see a pattern form and from that you'll begin to witness the birth of your own body of work.

I'll pay particular attention to books in my chosen price range, estimate the number of words on the page (to determine the size of their manuscript), and then calculate if it's possible to use a similar formula and still make a profit. Sometimes the answer is, no. Why? They may have the backing of a large publishing house and are selling by volume. It doesn't mean you're not going to make it, it just means you need to be more creative and willing to forego a greater profit until you become more established.

Keep in mind, a professional format designer is an artist and will approach your project with that mindset. Once they understand the story concept and your vision, they will work miracles. But it's also important they understand there are parameters based on what I've already shared.

For those of you who have already published, would you like to share a picture of the cover of your latest book? How was your overall formatting experience? Any words of wisdom for those entering the field of writing?

Following is a limited glossary to introduce you to some of a printer's jargon. I hope this makes you more comfortable with the process and excited to complete your project.

Glossary of terms:
AIR:                              Breathing room between the lines of script
FONT:                           Print style
GUTTER:                      Margin facing the inside portion of the book
HALF-TONE:               Reproducing a picture into dots so printed photo quality is optimal
OUTSIDE MARGIN:   Typically 1/2" in from the trimline
PICA:                            Size of the print (in printer's terms) or (in computer terms)
POINTS:                       14-16 points is considered "Large Print" for the visually impaired
                                      10-12 points normal, comfortable text size
                                      9 points for photo descriptions and other notes
TRIM LINE:                Markings on outer edge of book pages used to guide the printer in                                                           cutting so books have a uniformly finished edge
SPINE:                         Portion of book facing outward (contains names of book and author)

Jo Ann V. Glim is a seasoned veteran of freelance writing and author of the book "Begotten With Love."  To learn more:

FOLLOW/Like: on Facebook or
AVAILABLE ON: Amazon.com/author/joannglim
BOOK TRAILER on YouTube